#ArTEEtude 356 – Schlich and his AI Co Host Sophia explores the transition from Lackavaun to Ballydehob which was not simply a geographical relocation. It was "The Art of Beginning Again". The episode concludes with an original composition by Los Inorgánicos, “A Home on Church Road,” translating this autobiographical experience into music.

What happens when the house you built is no longer the place where you belong? For six episodes, Detlef Schlich has been telling the story of Lackavaun — a house, a landscape, and a dream of creating a future in West Cork. But perhaps the more important story was never about the building itself. It was about the person who built it, and what happened when he finally walked away. In this deeply personal chapter of his autobiographical journey, Detlef moves from Lackavaun towards a new beginning in Ballydehob. Through temporary accommodation, small opportunities, and eventually a little home on Church Road, he begins to rediscover something that had become increasingly precious: independence. An outside staircase. Breakfast overlooking the mountains of Cork and Kerry. A Mexican lizard table carried all the way from Germany. Ordinary objects and moments become fragments of a new personal geography. Together with Sophia, Detlef reflects on freedom, solitude, belonging, and the subtle difference between being welcomed into a community and truly feeling part of it. Inspired by the fragmentary approach to history associated with Walter Benjamin, this episode asks whether rebuilding a life might itself be understood as an artistic practice. You cannot always take your home with you. But you can carry the possibility of creating another one. The episode closes with a new original song by Los Inorgánicos , written especially for this story: “A Home on Church Road.” An independent journey through art, memory, music, and the complicated beauty of being human. About Detlef Schlich Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland. His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture. As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation. Research & Artistic Method Detlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect , which investigates the relationship between ritual, artistic transformation, media, and digital culture. Download here for free: Shamanism, Art and Digital Culture: Cause and Effect https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto , an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience. Read here: Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich https://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_Schlich Together, these texts form the theoretical backbone of Schl